Morning Session Italian Academy for Advanced Study in America, Columbia University
9:00: Opening Remarks
Welcome David Freedberg, Director, Italian Academy, Columbia University Giovanni Bazoli, President, Fondazione Cini & President Emeritus Intesa Sanpaolo Teodolinda Barolini, Chair, Dept. of Italian, Columbia University & The Global Dante Project of New York
9:15-11:00: Panel I
Panel I Moderator: Jane Tylus, Yale University
H. Wayne Storey, Indiana University The Material Foundations of Interpretation in Dante’s Rime
Furio Brugnolo, Università di Padova Una chiave di lettura per la canzone Aï faus ris
Teodolinda Barolini, Columbia University Voi che ’ntendendo il terzo ciel movete: Conflict, Compulsion, Consent, Conversion
11:00-11:15: Coffee Break
11:15-1:00: Panel II
Panel II Moderator: Paola Ureni, The City University of New York
Maria Luisa Ardizzone, New York University The Tragic Nature of Dante’s Canzoni: Ambiguity and Vocabulary
Paolo Borsa, Università degli Studi di Milano Dante’s Workshop of the Heart, the Mind, and the Intellect: le Rime tra l’uno e l’altro Guido
Christopher Kleinhenz, University of Wisconsin-Madison Dante and the Sonnet: Poetic Practices in Medieval Italy
1:00-3:00: Break
Afternoon Session Casa Italiana Zerilli-Marimò New York University
3:00: Welcome Carolyn Dinshaw, Dean of Humanities, NYU David Forgacs, Chair, Department of Italian Studies, NYU Maria Luisa Ardizzone, Department of Italian Studies, NYU & The Global Dante Project of New York
3:15-4:30: Panel III
Panel III Moderator: Alison Cornish, New York University
Fabian Alfie, University of Arizona Danger and the Disguised Crow: Culture and Gender in Quando ’l consiglio degli ucce’ si tenne
Julie Van Peteghem, Hunter College, CUNY Dante’s Rime Petrose: Transforming Ovid in Vernacular Poetry
4:30-4:45: Coffee Break
4:45-6:00: Panel IV
Panel IV Moderator: Alessandro Vettori, Rutgers University
Sara Diaz, Fairfield University Dante’s Griselda Complex: The ‘pulcella nuda’ and the Economy of Gift-Exchange
Richard Lansing, Brandeis University, All is Not Lost: Translating Dante’s Rime into English